Marketplace

Buy collectable artworks backed by comprehensive market information and impeccable provenance

Paddy Nyunkuny Bedford

AKA Nyunkuny, Kuwumji Bedford

6 Career Overall Rank

3 2016 Market Rank

  • Born: 1922 - 2007
  • Active: 1998

  • Region: Kununurra, WA
  • Community: Jirrawun Arts

William Mora Gallery

Paddy Bedford, like Eastern Anmatjerre artist Emily Kngwarryee, produced paintings for no more than a decade at the end of his life. However unlike Kngwarreye, who produced in excess of 4000 paintings before her death in 1996, Bedford painted only sparingly for most of his late-blooming, artistic career. At their best, his minimal abstracted ochre works have an equal power and strength to those of Rover Thomas, the founder of the East Kimberley style. However Bedford was physically capable of producing major paintings for only a limited period of his life, restricting his work beyond this to painting on paper created in coloured gouache and smaller, more manageable works on linen and artboard. His entire artistic output was produced for Jirrawun Arts, other than a small number of paintings on canvas and artboard created during a workshop organised by Neil McLeod for Jack Dale at his home in Derby during late 2001. During the workshop Bedford stayed with Dale, an old friend, and although the paintings he created at that time were extremely well photo-documented these works are not considered to have been part of his ‘official’ catalogue resonne and their value has therefore been discounted in the market.

Bedford’s paintings were so popular in the primary market during his own lifetime that, although several examples first appeared at auction in 2000, his secondary market results were dominated by unsanctioned non-Jirrawun paintings by the end of 2006. Ten of the 11 offered had sold though the highest price was the $19,200 paid for a 106 x 147 cm work on linen entitled Caves at Old Bedford 2001 which was the cover image for Lawson-Menzies November 2004 auction catalogue (Lot 22). The price achieved was almost double its high estimate. At the start of 2007 a superb 180 x 150 cm canvas, Girrganyji the Brown Falcon Dreaming 2000 sold well over estimate in Shapiro’s June 2003 auction taking $17,625 (Lot 163), to become the artist’s second highest record. 

During his own lifetime Bedford remained one of those rare artists whose secondary market prices did not reflect the prices paid for his works by collectors in the primary market. His exhibitions at galleries including Raft Gallery in Darwin, Chapman Galleries in Canberra, Martin Brown Gallery and Grant Pirrie in Sydney and William Mora Galleries in Melbourne were always eagerly awaited events and the buyers of works from these exhibitions were universally unwilling to let go of their prized purchases until 2007. What a difference just three years can make! Paddy Bedford passed away early in 2007 and since then his sales have been nothing short of spectacular. There have now been 31 sales of $75,000 and over which have propelled Bedford from relative obscurity on the secondary market at the end of 2006, to see him rank 1st during 2011, 4th in 2012, 2013 and 2014, 5th in 2015 and 3rd in 2016. With an Aboriginal Art Market Rating in 2006 of just 0.892 and a ranking between the 120 and 150th in terms of his individual auction success he became the 12th most successful artist of all time by the end of the following year, the eighth by 2012 and 6th by the end of 2015.

At the time of his death his most contemporary looking paintings were already valued in the primary market for as much as $85,000, with small boards produced toward the end of his painting career in 2005-2006 selling for up to $25,000, yet his record price at auction remained below $20,000.

In 2007 William Mora featured the artist in his stand at the Melbourne Art Fair to rapturous acclaim. However following the artist’s death, with primary market sales having dried up completely, auction houses were deluged with interest. At Lawson~Menzies no less than eight potential buyers were willing to bid above $120,000 for Joogoomoondiny - Gawler Gully 2004, and by the time two eager buyers had finished their titanic struggle the painting, sold to a Swiss collector for $300,000, the artists record price to this day. The artist's second and 4th highest prices were achieved in 2011 and 2012. Merremerrji-Queensland Creek, 2005 was the star performer in Bonham's solo artists sale Selected Works from the Estate of Paddy Bedford when it sold for $216,000. And Thoonbi, 2006, a work held in the superannuation fund of Melbourne uber-dealer Bill Nutall, achieved $180,000 at Bonham's in 2012 despite a dismal result for the sale overall. In 2013 two works entered his top 10 results at 3rd and 4th place. Ngarrmaliny-Cockatoo at Police Hole, 2003 measuring 150 x 180 cm, and carrying an estimate of  $150,000-180,000, sold for $201,300 at the Bonham's Laverty Collection sale in March; and in June, Thoowoonggoonarrin 2006, achieved $183,000 at Sotheby's.

In spite of some adverse publicity in the Bulletin magazine which suggested Bedford was assisted in many works his popularity continues undiminished. In 2015, 12 of 14 works sold for an average price of $45,567 with another work entering his top ten results at equal seventh. And though no new works entered his tiop 10 in 2016 11 of 14 paintings on offer sold at an average price of $48,481 making him the 3rd most successful artist of the year.

Since his death in 2007, Paddy’s best works have shattered his earlier records. And little wonder! Their sophisticated, subtle palette and inspired sense of design, as well as their relative scarcity, ensures that they will remain amongst the most highly desired of all Aboriginal paintings indefinitely.

Paddy Nyunkuny Bedford - Mad Gap 2004

Mad Gap 2004
Sold by Lawson~Menzies, Sydney on 16/12/2009 for $144,000.00
Size: 122 x 135 cm

Paddy Nyunkuny Bedford - Merroowin 1998

Merroowin 1998
Sold by Joel Fine Art, Melbourne on 03/06/2008 for $95,160.00
Size: 180 x 150 cm

Paddy Nyunkuny Bedford - Joogoomoondiny - Grawler Gully 2004

Joogoomoondiny - Grawler Gully 2004
Sold by Lawson~Menzies, Sydney on 14/11/2007 for $300,000.00
Size: 122 x 135 cm

Paddy Bedford was born at Bedford Downs Station in the east Kimberley c.1922. He was given the name Paddy after the station manager, Paddy Quilty, a hard man, who was believed to be the instigator of the strychnine poisoning of Gidja Men at Bedford Downs in retaliation for killing a milking cow near Mount King several years earlier. Like many of his Gidja countrymen, Bedford worked for Quilty and others as a stockman for the majority of his life in return for rations of tea, flour and tobacco. These and other, often horrific, events are woven into the contemporary history of the Kimberley region and provided Paddy Bedford with a unique perspective informing an art practice that began in his late 70’s.

Though he had been involved with ceremonial painting all his life, it was by chance that a gallery dealer happened upon some of his boards in a rubbish tip in the mid 1990’s. From such humble beginnings Paddy began painting formally in 1997, with the formation of Jirrawun Aboriginal Arts. Initiated by Freddy Timms with help from artist Tony Oliver, the group which includes Timms, Peggy Patrick, Rammy Ramsay and others, has gained exponential notoriety and they have been ‘mythologised, almost like rock stars, by some of the country’s best writers’ (Bowdler 2005: 45). In tangible terms Jirrawun Arts has been able to provide the kind of individual support and promotion of its artists that art centers have difficulty emulating. Numerous shows were organised through the group, in which Bedford starred during his lifetime, including Blood on the Spinifex at the National Gallery of Victoria and True Stories at the Art Gallery of New South Wales.

'I’m a millionaire' Bedford shouted when he received his first cheque as an artist. Over the following decade his painting style developed from simple expanses of flat ochre to masterful luminous textured surfaces. Painting in a recognizable east Kimberley style in which plains of ochre are disrupted only by sparsely planted shapes, Bedford masterfully combined important ancestral Dreamings with depictions of his environment and contemporary historical events.

His health and dexterity at various times dictated the medium in which he worked. Introduced to gouache and paper after 2000, he created intimate works that were equally successful as those depicted in ochres. In both mediums his paintings are imbued with authority and an absolutely distinctive individual language within the east Kimberley conventions. Characteristic of Paddy’s style are richly ochred surfaces with minimal arrangements of circular shapes, often centered upon a band, and delineated by white dots. Though important Dreamings such as the Emu, Turkey, and Cockatoo are present in many of his works, like the narratives of his family history they are not depicted in any figurative form. This is evidenced in the self-published book, Walk the Line, produced during 2004, in which Bedford depicted important sites and explored the culture of his people.

Paddy Bedford, an enigmatic octogenarian, stood out as a uniquely talented artist. He was amongst the few selected to contribute to the permanent installation at the Musee du Quai Branly in Paris and was honoured, during his lifetime, with the unprecedented recognition of a retrospective exhibition and a major catalogue by the Museum of Contemporary Art in Sydney during 2007, which toured nationally.

 His work, most probably without intention, became embroiled in the ‘history wars’ between various social commentators and journalists after Keith Windschuttle, in his book The Fabrication of Aboriginal History 2002, questioned the veracity of Aboriginal oral accounts of massacres such as that which occurred at Bedford Downs. Three years later Paddy Bedford exhibited a series of paintings based on the Bedford Downs massacre at the National Gallery of Victoria. The Blood on the Spinifex exhibition revealed a surprising attitude to the killings. Its power lay in the 'modesty of the voice, the quiet economy of the storyline, the sober lack of sentimental or rhetorical elaboration' (Nelson cited in Bowdler 2005: 46). It is testament to this wonderful old stockman and artist, one of the great Kimberley characters, that the truth distilled within his canvasses has brought broad acceptance amongst a majority of Australians as to the credibility of Gidja oral accounts of their traumatic encounters with white settlers.  

Profile References

Bowdler, Cath. June 2005. Looking Forward, Looking Back. Australia. Artlink 25(2) 44-47.
Eccles, Jeremy. Spring 2006. Jirrawun: A unique model. Australia. Art & Australia .
Hutchings, Patrick. 11 June 2005. Of land, spirit and freedom. Australia. The Age 7.
Jopson, Debra. 7 Oct 2003. Sage brush keeps his landscape dots to a minimum. Australia. Sydney Morning Herald 3.
Rothwell, Nicholas. 19 Apr 2003. Beyond the Boab- Diamonds from the dreamtime. Australia. The Australian .

Paddy Nyunkuny Bedford - Untitled 2001

Untitled 2001
Sold by Lawson~Menzies, Sydney on 14/11/2007 for $30,000.00
Size: 123 x 92 cm

Paddy Nyunkuny Bedford - Jack Amble Bore, 2004

Jack Amble Bore, 2004
Sold by , on for $POA
Size: 122.0 x 135.0 cm

Paddy Nyunkuny Bedford - Police Rock Hole (2002)

Police Rock Hole (2002)
Sold by Christie's , London on 16/12/2008 for $54,276.00
Size: 122 x 135 cm

Sites

Bedford Downs (Jirrawal Country)

Subjects

Emu, Bush Turkey, Brown Falcon, Stock Camp Life, Cockatoo, Devil Spirits, Wind

Medium

Ochres on Linen and Canvas

Regional Map

Note: This map is a representation and not accurate. Some sites are sacred and therefore not shown.

Market Performance

Career Totals

AIAM100 Rank
6
AIAM100 Rating
11.0876
Sold/Offered
113/163
Clearance Rate
69%
Average Price
$53,032
Total Price
$5,992,610
2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016
0.0766 0.0994 0.1236 0.2531 0.4825 0.1039 0.0812 2.3566 1.3664 0.5586 2.4299 6.7635 1.6985 2.6200 1.3404 2.5616 2.4220
1/1 1/1 1/1 2/2 4/4 1/1 1/2 8/9 5/5 3/7 11/15 27/40 7/11 11/19 7/16 12/15 11/14
$5,875 $9,890 $15,275 $16,013 $14,550 $10,800 $6,600 $86,775 $74,681 $60,800 $48,797 $62,750 $58,874 $56,730 $36,669 $45,567 $48,482
Yearly Market Performance Graph from 2000 - 2016

Top 10 Artworks Sold at Auction

1

Joogoomoondiny - Grawler Gully 2004

sale price: $300,000.00
auction: Lawson~Menzies, Sydney  lot: 19 date: 14/11/2007
122 x 135 cm Natural earth pigments on linen
2

Merrmerrji - Queensland Creek, 2005

sale price: $216,000.00
auction: Bonhams, Sydney  lot: 23B date: 21/11/2011
150 x 180 cm Natural earth pigments and synthetic binder on Belgian linen
3

Ngarrmaliny-Cockatoo at Police Hole, 2003

sale price: $201,300.00
auction: Bonhams, Sydney  lot: 88 date: 24/03/2013
150 x 180 cm Natural earth pigments on linen
4

Thoowoonggoonarrin 2006

sale price: $183,000.00
auction: Sotheby's Australia, Melbourne  lot: 101 date: 28/05/2013
150 x 180 cm Natural earth pigments and synthetic binder on linen
5

Thoonbi, 2006

sale price: $180,000.00
auction: Bonhams, Sydney  lot: 168 date: 28/05/2012
150 x 180 cm Natural earth pigments and synthetic binder on Belgian linen
6

Yoowangeny - Mud Springs, 2005

sale price: $174,000.00
auction: Bonhams, Sydney  lot: 22B date: 21/11/2011
122 x 135 cm Natural earth pigments and synthetic binder on Belgian linen
7

Brumby Springs, 2005

sale price: $168,000.00
auction: Bonhams, Sydney  lot: 2B date: 21/11/2011
122 x 135 cm Natural earth pigments and synthetic binder on Belgian linen
8

Motor Car Yard - Blanket Lizard Dreaming, 2005

sale price: $168,000.00
auction: Deutscher and Hackett , Sydney  lot: 14 date: 08/03/2015
150 x 180 cm Natural earth pigments with synthetic binder on linen
9

Joowarringayin - Devil Dreaming, 2000

sale price: $156,000.00
auction: Deutscher and Hackett , Melbourne  lot: 26 date: 24/03/2010
180.5 x 150 cm Natural earth pigments and synthetic binder on linen
10

Mad Gap 2004

sale price: $144,000.00
auction: Lawson~Menzies, Sydney  lot: 140 date: 16/12/2009
122 x 135 cm Ochres and pigment with synthetic binder on Belgian linen

Available Artworks

Thoonbi Gorge - Ord River by Paddy Nyunkuny Bedford
Thoonbi Gorge - Ord River
Paddy Nyunkuny Bedford 1

80 x 60 cm
#14899 LOCATION: Bondi Beach
$3,600.00