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Dorothy Robinson Napangardi

AKA Robertson

22 Career Overall Rank

33 2016 Market Rank

  • Born: 1956 - 2013
  • Active: 1987-2013

  • Region: Tanami Desert, NT
  • Community: Yuendumu, Yuendumu
  • Outstation: Pikilyi
  • Language: Warlpiri

Despite having produced paintings from the late 1980s Dorothy Napangardi's popularity and the high prices achieved for her works are a relatively recent phenomenon and relate almost entirely to her post 1997 works. In fact, all of her highest ten sales have been for works produced between 2000 and 2003 with the next ten results created between 1997 and 2002. All are restricted to the limited pallet and grid like patterns of vertical and horizontal dotted lines, which mimic the salt encrustations at Mina Mina.

Despite the beauty of her highly accomplished and colourful Bush Plum and Bush Banana works, as demonstrated in the Museum of Contemporary Art exhibition and accompanying catalogue Dancing Up Country, the very best of these have never been offered at auction and minor works in this style have attracted very little interest when compared to the more abstracted paintings created after 1997. Before 2012, the highest results for these had been the meagre $3,055 each, realised when two small colourful floral works were offered for sale at Bonham Goodman in 2004 and Shapiro in 2002. Gaia Auction in Paris sold a colourful Bush Banana Dreaming canvas measuring a large 130 x 200 cm in 2011, for AUS$14,550. Though insufficient to indicate a clear market preference for her more muted style, it is notable nonetheless, and perhaps significant that it was sold overseas.

Her solo exhibition held from December 2002 to March 2003 at the Museum of Contemporary Art threw those interested in Aboriginal art into a spin. In a controversial and extremely unusual move, Gallery Gondwana held a commercial exhibition of her work at the Danks Street Depot Gallery concurrent to the MCA show. Dorothy’s major large black canvases featuring tight grids of carefully dotted white lines sold for around $60,000-80,000 each, double the prices similar works had attracted just six months earlier in her Gallery Gondwana Alice Springs exhibition. Similarly, 120 x 120 cm paintings previously exhibited for $10,000-12,000 and 150 x 90 cm works at $8,000 had jumped in price to $25,000 and $18,000 respectively. Dorothy was definitely the artist of the moment, and the show was a sell out. This intense primary market interest subsequently declined. By 2012 a 150 x 90 cm work of impeccable provenance had decreased in value to around $15,000. Still a healthy increase in value over its value pre 2002. But in 2015 a very fine black and white grid work measuring 122 x 198 cm purchased by Dutch uber-collector Thomas Vroom in 2001 sold for just $24,400 at Bonham's, a far from desirable outcome regardless of the depth of Vroom's pocket.

Dorothy's MCA show and the success that followed, heralded a dearth of quality paintings in relation to the demand generated by serious collectors, and set the preconditions for a sudden rash of works on the secondary market from 2002 onward. While only one painting was offered for sale at auction in 2002, seven appeared in 2003, 27 in 2004 and 26 in 2005. However, of these 26 many were smaller and less important works which resulted in a drop in the average price that year. Just 16 were offered in 2006 and 19 in 2007, 15 in 2008, a staggering 32 in 2009. 2015 was her Dorothy's best year since 2009 when her sales total was $200,930. At years end 14 of 18 works had sold for a total of $87,708.

Dorothy Napangardi's most successful paintings at auction have featured a network of closely knit interconnected dotted squares which build to form duotone patterned grids on dark, most often black, backgrounds. By randomly in-filling white dotted squares with yellow or deep red ochre dots, a mottled effect is produced as demonstrated in her top selling lot, Karntakurlangu. When this work sold at Sotheby’s in July 2004 (Lot 113) it more than doubled its high estimate of $60,000 taking $129,750. In the same auction a larger subtler piece failed to reach its low estimate of $50,000 and was passed in. The work later sold at Lawson-Menzies in November 2006 sale for $55,200, creating her ninth best result to date (Lot 31). Dorothy’s second highest result at auction was for Karntakurlangu Jukurrpa 2003 a much larger 183 x 350 cm work on linen. Carrying a presale estimate of  $80,000-100,000 it sold for $120,000 at Lawson~Menzies in November 2007 (Lot 62). This exceeded the $90,000 paid for another large work on linen measuring 175 x 300 cm titled Mina Mina 2000 which sold in Lawson-Menzies November 2006 sale ( Lot 97).

After the tight grid paintings that achieved her best three records, the next four on the list are large works of the freer white dotted lines on black, ranging in size from over three metres in length down to 122 x 183 cm. These have averaged $78,556 in price.

Dorothy had the opportunity to produce quite a number of editions of fine art prints during the last years of her life. These retail in the primary market for between $1,200 and $2,500, and while 12 of the 16 prints that have been offered at auction have sold, the average received was only $722 which, after the commission was deducted, would have netted many of their owners considerably less than they originally paid.

Sales in 2008 were poor in line with the market slump and the end of Lawson~Menzies specialist sales. Only five of the 15 works on offer sold, and this dragged her career clearance rate down from 65% to 61%. 2009 brought a mixed bag of results, amongst 13 of 32 works that sold of offered. These included a number of impressive sales upwards of $20,000 that sit just outside of the artist’s top ten records. Generally, the majority of the failures carried poor provenance, or were smaller paintings. Thus these results should not diminish the results for her finest pieces. Without these failures her sale rate would have been closer to a spectacular 81% in spite of the fact that the vast majority of these works had spent such a short time between their original purchase and subsequent sale at auction. However not a single work managed to break the $10,000 barrier in 2010, with one work only just making it above in 2011. Since then only four works have sold for more than $24,000 with the highest price recorded in 2015 at $31,720.

Dorothy Napangardi was an artist of top calibre and her highest auction results have resulted in her having one of the best records for any living artist. Since 2009 she has constantly hovered between 20th and 25th on of the top 100 artists. However this acclaim is unlikely to last indefinitely. She tragically died while still a relatively young woman and at just 50 years of age should have had many productive years ahead of her. The heat her career generated from the late 1990s to 2009 will be difficult to maintain now that her repertoire is finite. At the time of her death, her art practice was being severely compromised by the quantity of ‘copycat paintings’ that were being produced by members of her family and others that were sold under her name. The closure of Gallery Gondwana, her principle agent, did not help.

That said, buyers lucky enough to purchase works prior to her MCA show in 2002 will always be able to make a very good profit on their paintings at sale. However those paying higher prices in her exhibitions during the following decade will need to rely on a buoyant market and excellent provenance if they are to reep financial rewards. 

Dorothy Robinson Napangardi - Kurntakurlangu Jukurrpa, 2000

Kurntakurlangu Jukurrpa, 2000
Sold by Lawson~Menzies, Sydney on 22/11/2006 for $55,200.00
Size: 122 x 198 cm

Dorothy Robinson Napangardi - Mina Mina, 2000

Mina Mina, 2000
Sold by Lawson~Menzies, Sydney on 22/11/2006 for $90,000.00
Size: 300 x 175 cm

Dorothy Robinson Napangardi - Women's Dreaming, 2001

Women's Dreaming, 2001
Sold by Shapiro Auctioneers, Melbourne on 10/12/2003 for $84,625.00
Size: 183 x 122 cm

Dorothy Napangardi spent her early childhood living a nomadic life at Mina Mina near Lake Mackay in the Tanami Desert during the late 1950's and early 1960’s. She recalled camping at claypans and soakages with her mother, Jeanie Lewis Napururrla, learning to collect the plentiful bush tucker, and grinding seeds for damper cooked on hot ashes. This idyllic life came to a close when her family was forcibly relocated to the government settlement at Yuendumu. Dorothy’s father, Paddy Lewis Japanangka greatly regretted the move, particularly for its impact on the traditional education of his children. However his attempt to return to country with his family failed and they remained in the government settlement until Dorothy married. She moved with her husband, an elderly man to whom she had been promised at a young age, into Alice Springs and bore him four daughters and later, after the marriage eventually broke down, gave birth to her youngest child, Annette, by another man. It was here, in Alice Springs, in 1987, that she began painting.

Dorothy’s early artistic endeavors were heavily influenced by memories of her childhood. Her subject matter was principally the Bush Plum and Bush Banana, wild fruits that grow in abundance near Mina Mina, changing in colour as they ripen, which she depicted in vibrant acrylic colours. The paintings, at such an early stage in her career, clearly marked Dorothy as an artist of great talent. Her superb sense of composition created a rhythmic effect as semi-naturalistic depictions were entwined in an altogether geometric formation.

In the late 1980’s the government marketing company, Aboriginal Arts Australia, closed its Alice Springs outlet and its manager Roslyn Premont opened her own, Gallery Gondwana. After meeting Roslyn in 1990, Dorothy began painting exclusively for her gallery and the close personal relationship that developed between the two women lasted up until her tragic death in 2013. The studio environment and financial security that Premont provided enabled Dorothy to experiment freely and develop her artistic repertoire rapidly. As it did so, she created works, which drew on her innate visual consciousness developed during those early years spent in the vast unlimited expanses of the desert.

From 1997 onward, Dorothy began producing works, which traced the grid-like patterns of the salt encrustations on the Mina Mina clay pans marking a significant artistic shift in her work. Over a three-year period her paintings became less and less contrived and increasingly spare, all detail pared back to the barest essentials. These new works, in which Dorothy began to explore the Women’s Digging Sticks Dreaming and other stories related to the travels of the Karntakurlangu, compel the spectators eye to dance across the painted surface, just as these ancestral women danced in their hundreds across the country during the region's creation. While dancing digging sticks magically emerged from the ground at Mina Mina, equipping the large band of women for their travels over a vast stretch of country. The tall desert oaks which are found there today symbolise the emergence of the digging sticks that literally rose up out from beneath the ground itself.  As these works developed, her extraordinary spatial ability enabled her to create mimetic grids of the salt encrustations across the claypans of Mina Mina. The lines of white dots trace the travels of her female ancestors as they danced their way, in joyous exultation, through the saltpans, spinifex and sand hills clutching their digging sticks in their outstretched hands. Kathleen Petyarre has been quoted as saying 'those Walpiri ladies, they’re mad about dancing, they go round and round and round dancing, they’re always dancing' (cited in Napangardi 2002: 22). Little wonder then, that the surfaces of Dorothy’s canvases become dense rhythms of grids, as she maped the paths of these dancing women.

In 2001 Dorothy Napangardi was the recipient of the 18th National Aboriginal and Torres Strait Islander Art Award and in the following year a solo exhibition of her work was curated for the Museum of Contemporary Art in Sydney. Through her association with Roslyn Premont and her Gallery Gondwana, Dorothy’s paintings have enjoyed considerable commercial success and are now amongst the most expensive byany currently practicing Aboriginal artist in the primary market. Yet despite this close and nurturing relationship Dorothy continued to occasionally paint for others when moved to do so. These ‘outside‘ paintings are rarely as good as her Gallery Gondwana works however, there have been exceptions, and these have included a number of major canvases painted for Peter Van Groesen and sold through Kimberley Art Gallery in Melbourne. Creating these paintings has in no way undermined her personal integrity. While Dorothy Napangardi’s paintings may be seen as important commodities and major investments, her work can be so beautiful and ethereal, as to boarder on the sublime.

Profile References

Nicholls, C. Sep 2003. Thinking big: spatial conception in the art of Dorothy Napangardi. Australia. Artlink 23(3) 44-51.
Nicholls, Christine & Napangardi, Dorothy. 2002. Dancing Up Country: The Art of Dorothy Napangardi. Sydney. Museum of Contemporary Art.

Dorothy Robinson Napangardi - Karntakurlangu

Karntakurlangu
Sold by Sotheby's Australia Pty. Ltd., Melbourne on 26/07/2004 for $129,750.00
Size: 122 x 152 cm

Dorothy Robinson Napangardi - Salt on Mina Mina, 2002

Salt on Mina Mina, 2002
Sold by Lawson~Menzies, Sydney on 23/11/2004 for $84,000.00
Size: 182 x 348 cm

Dorothy Robinson Napangardi - Mina Mina Tryptych 2003

Mina Mina Tryptych 2003
Sold by Lawson~Menzies, Sydney on 30/05/2006 for $55,200.00
Size: 198 x 61 cm each

Sites

Lake Mackay, Mina Mina

Subjects

Bush Food , Bush Banana, Wild Plum, Ancestral Women's Travels

Medium

Synthetic Polymer Paint on Linen and Canvas

Regional Map

Note: This map is a representation and not accurate. Some sites are sacred and therefore not shown.

Market Performance

Career Totals

AIAM100 Rank
22
AIAM100 Rating
5.5395
Sold/Offered
128/226
Clearance Rate
57%
Average Price
$19,012
Total Price
$2,433,521
2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016
0.0000 0.0000 0.0553 1.1279 3.4923 2.0761 2.2980 1.5360 0.8432 1.6162 0.5605 0.3196 0.2175 0.5653 0.2020 1.1081 0.4908
0/0 0/1 1/1 5/7 19/27 14/26 15/16 9/19 5/17 13/30 10/18 4/13 3/6 5/7 4/8 14/18 7/12
$0 $0 $3,055 $50,883 $33,784 $21,991 $23,470 $29,127 $28,440 $15,456 $3,142 $6,383 $5,258 $12,783 $2,550 $6,265 $4,917
Yearly Market Performance Graph from 2000 - 2016

Top 10 Artworks Sold at Auction

1

Karntakurlangu

sale price: $129,750.00
auction: Sotheby's Australia Pty. Ltd., Melbourne  lot: 113 date: 26/07/2004
122 x 152 cm Synthetic polymer paint on linen
2

Karntakurlangu Jukurrpa 2003

sale price: $120,000.00
auction: Lawson~Menzies, Sydney  lot: 62 date: 14/11/2007
183 x 350 cm Synthetic polymer paint on linen
3

Mina Mina, 2000

sale price: $90,000.00
auction: Lawson~Menzies, Sydney  lot: 97 date: 22/11/2006
300 x 175 cm Synthetic polymer paint on linen
4

Women's Dreaming, 2001

sale price: $84,625.00
auction: Shapiro Auctioneers, Melbourne  lot: 153 date: 10/12/2003
183 x 122 cm Synthetic polymer paint on canvas
5

Salt on Mina Mina, 2002

sale price: $84,000.00
auction: Lawson~Menzies, Sydney  lot: 48 date: 23/11/2004
182 x 348 cm Synthetic polymer paint on linen
6

Salt on Mina Mina, 2003

sale price: $76,580.00
auction: Cromwell's Sydney, Sydney  lot: 85 date: 21/04/2004
175 x 300 cm Acrylic on Belgian linen
7

Salt Crystals of Mina Mina, 2002

sale price: $57,575.00
auction: Shapiro Auctioneers, Melbourne  lot: 190 date: 10/12/2003
137 x 213 cm Synthetic polymer paint on linen
8

Mina Mina Tryptych 2003

sale price: $55,200.00
auction: Lawson~Menzies, Sydney  lot: 31 date: 30/05/2006
198 x 61 cm each Synthetic polymer paint on linen
9

Kurntakurlangu Jukurrpa, 2000

sale price: $55,200.00
auction: Lawson~Menzies, Sydney  lot: 27 date: 22/11/2006
122 x 198 cm Synthetic polymer paint on linen
10

Salt on Mina Mina

sale price: $53,775.00
auction: Christie's , Melbourne  lot: 50 date: 30/08/2005
129 x 211 cm Synthetic polymer paint on linen

Available Artworks

Sandhills by Dorothy Robinson Napangardi
Sandhills - 2004
Dorothy Robinson Napangardi 34

152 x 122 cm
#11144 LOCATION: Bondi Beach
$45,000.00

Mina Mina   by Dorothy Robinson Napangardi
Mina Mina - 2006
Dorothy Robinson Napangardi 34

181 x 167 cm
#7099 LOCATION: Paddington
$32,000.00

Karntakurlangu Tjukurrpa by Dorothy Robinson Napangardi
Karntakurlangu Tjukurrpa - 2005
Dorothy Robinson Napangardi 34

122 x 122 cm
#11516 LOCATION: Bondi Beach
$23,000.00

Mina Mina Salt Lake  by Dorothy Robinson Napangardi
Mina Mina Salt Lake - 2001
Dorothy Robinson Napangardi 34

149 x 121cm
#14778 LOCATION: Paddington
$18,200.00

Karntakurlangu Tjukurrpa by Dorothy Robinson Napangardi
Karntakurlangu Tjukurrpa - 2005
Dorothy Robinson Napangardi 34

122 x 76 cm
#11509 LOCATION: Bondi Beach
$14,500.00

Beyond Mina Mina by Dorothy Robinson Napangardi
Beyond Mina Mina - 2008
Dorothy Robinson Napangardi 34

91 x 76 cm
#11459 LOCATION: Bondi Beach
$10,500.00

Sandhills by Dorothy Robinson Napangardi
Sandhills - 2005
Dorothy Robinson Napangardi 34

76 x 76 cm
#11512 LOCATION: Bondi Beach
$8,500.00

Salt on Mina Mina by Dorothy Robinson Napangardi
Salt on Mina Mina - 2008
Dorothy Robinson Napangardi 34

91 x 61 cm
#11465 LOCATION: Paddington
$7,800.00

Sandhills by Dorothy Robinson Napangardi
Sandhills - 2005
Dorothy Robinson Napangardi 34

76 x 61 cm
#11511 LOCATION: Bondi Beach
$7,800.00

Mina Mina   1/1 by Dorothy Robinson Napangardi
Mina Mina 1/1 - 2013
Dorothy Robinson Napangardi 34

49 x 100 cm
#15361 LOCATION: Bondi Beach
$2,900.00

Karntakurlangu by Dorothy Robinson Napangardi
Karntakurlangu
Dorothy Robinson Napangardi 34

120 x 80cm
#10595 LOCATION: Bondi Beach
$2,500.00

Mina Mina by Dorothy Robinson Napangardi
Mina Mina - 2013
Dorothy Robinson Napangardi 34

80 x 120 cm
#13974 LOCATION: Paddington
$2,500.00

Karntakurlangu Jukurrpa 1 (Women's Dreaming 1)   19/50 by Dorothy Robinson Napangardi
Karntakurlangu Jukurrpa 1 (Women's Dreaming 1) 19/50
Dorothy Robinson Napangardi 34

59.5 x 44.5 cm
#15221 LOCATION: Paddington
$2,400.00

Karntakurlangu Tjukurrpa by Dorothy Robinson Napangardi
Karntakurlangu Tjukurrpa - 2003
Dorothy Robinson Napangardi 34

31 x 31 cm
#11460 LOCATION: Bondi Beach
$2,200.00

Mina Mina by Dorothy Robinson Napangardi
Mina Mina - 2013
Dorothy Robinson Napangardi 34

99 x 49 cm
#13975 LOCATION: Bondi Beach
$2,200.00

Mina Mina by Dorothy Robinson Napangardi
Mina Mina - 2013
Dorothy Robinson Napangardi 34

99 x 49 cm
#13976 LOCATION: Bondi Beach
$2,200.00

Mina Mina   1/10 by Dorothy Robinson Napangardi
Mina Mina 1/10 - 2013
Dorothy Robinson Napangardi 34

76 x 50 cm
#15324 LOCATION: Bondi & Paddington
$2,200.00

Mina Mina   18/20 by Dorothy Robinson Napangardi
Mina Mina 18/20 - 2013
Dorothy Robinson Napangardi 34

76 x 50 cm
#15326 LOCATION: Bondi & Paddington
$2,200.00

Mina Mina   5/10 by Dorothy Robinson Napangardi
Mina Mina 5/10 - 2013
Dorothy Robinson Napangardi 34

97 x 50 cm
#15327 LOCATION: Bondi Beach
$2,200.00

Salt on Mina Mina   16/51 by Dorothy Robinson Napangardi
Salt on Mina Mina 16/51
Dorothy Robinson Napangardi 34

46 x 59 cm
#15250 LOCATION: Paddington
$2,200.00

Mina Mina by Dorothy Robinson Napangardi
Mina Mina - 2013
Dorothy Robinson Napangardi 34

70 x 49 cm
#13973 LOCATION: Paddington
$2,000.00

Mina Mina  by Dorothy Robinson Napangardi
Mina Mina - 2013
Dorothy Robinson Napangardi 34

70 x 49 cm
#13969 LOCATION: Paddington
$1,650.00

Mina Mina by Dorothy Robinson Napangardi
Mina Mina - 2013
Dorothy Robinson Napangardi 34

67 x 49 cm
#13971 LOCATION: Paddington
$1,650.00

Mina Mina by Dorothy Robinson Napangardi
Mina Mina - 2013
Dorothy Robinson Napangardi 34

67 x 49 cm
#13972 LOCATION: Paddington
$1,650.00

Karntakurlangu Jukurrpa  by Dorothy Robinson Napangardi
Karntakurlangu Jukurrpa
Dorothy Robinson Napangardi 34

44 x 44 cm
#10606 LOCATION: Paddington
$1,350.00

Salt on Mina Mina  by Dorothy Robinson Napangardi
Salt on Mina Mina
Dorothy Robinson Napangardi 34

43 x 43 cm
#10611 LOCATION: Bondi & Paddington
$1,200.00

Mina Mina by Dorothy Robinson Napangardi
Mina Mina
Dorothy Robinson Napangardi 34

50 x 39 cm
#10601 LOCATION: Bondi & Paddington
$850.00

Karntakurlangu Jukurrpa by Dorothy Robinson Napangardi
Karntakurlangu Jukurrpa - 2002
Dorothy Robinson Napangardi 34

50 x 45 cm
#11468 LOCATION: Bondi & Paddington
$650.00

Mina Mina   2/50 by Dorothy Robinson Napangardi
Mina Mina 2/50 - 2013
Dorothy Robinson Napangardi 34

12 x 24 cm
#15334 LOCATION: Bondi & Paddington
$650.00

Mina Mina   4/50 by Dorothy Robinson Napangardi
Mina Mina 4/50 - 2013
Dorothy Robinson Napangardi 34

19.5 x 13.5 cm
#15330 LOCATION: Bondi & Paddington
$500.00

Mina Mina   5/50 by Dorothy Robinson Napangardi
Mina Mina 5/50 - 2013
Dorothy Robinson Napangardi 34

12 x 20 cm
#15332 LOCATION: Bondi & Paddington
$500.00