LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI- NGALYIPI JUKURRPA
LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI
NGALYIPI JUKURRPA (SNAKE VINE DREAMING), 1992
83 X 120 cm
acrylic on canvas
REGION
Lajamanu, NT
PROVENANCE
Warnayaka Art Centre, NT Cat No. #1129 (#523)
Karen Brown Gallery, NT Cat No. KB0845
Art Leven, Redfern Gadigal
STORY
"This dreaming tells about a special tree that everyone uses for medicine. It helps cure aches and pains in the joints, headache and snake bites. The vine is wrapped around the head, arm or leg and is left till the pain is taken away. Ngalyipi is like the bush banana Yuparli plant, it winds around trees from ground upwards. The Ngalyipi vines has round leaves, it does not have any edible fruits, it is poisonous. The Snake Vine Ngalyipi is used for everything. It is used to put it over our water carriers to keep the water cool and keep other grass seeds out." (Warnayaka Art Centre)
Lily Hargraves Nungarrayi (1930 - 2019) was one of the old desert walkers, born in the Tanami Desert in her country near Jilla Well (Chilla Well). When, in 1950, the Warlpiri population at Yuendemu had outgrown the settlement’s housing capabilities, Nungarrayi moved to the settlement of Lajamanu along with 1000 others. A tiny, very isolated point in the north of the Warlpiri estate, ten hour’s drive south of Darwin and eight hours north-west of Alice Springs. Here, Nungarrayi resided until her death in 2019.
Lily Yirdingali Jurrah Hargraves Nungarrayi belongs among the ranks of Australia’s greatest Indigenous artists. Nungarrayi was ferocious, painting against the deliberate erasure of her culture, she was among the last in possession of some key aspects of Warlpiri sacred knowledge.
Every painting in Nungurray’s legacy seems to contain an earnest thought that a return to some dignified form of traditional life may be possible. Her painting practice was an effort toward recording a Warlpiri history that was at risk of erasure, for a Warlpiri people that, before colonisation, had had no need for a method to document its past.
ARTIST PROFILE
